PROGRAM

A Rothschild on the Riviera

The collections of Béatrice Ephrussi de Rothschild at FAB Paris

The daughter and granddaughter of great collectors, Béatrice Ephrussi has inherited her family’s taste, a blend of pomp, exuberance and refinement that is part aristocratic salon, part cabinet of curiosities.

In her mansion in Paris and her villa in the south of France, she assembled a collection of around five thousand objects, from all origins and in almost every style.

Villa Ephrussi de Rotschild<br />
© Anthony Lanneretonne<br />

© Anthony Lanneretonne

50 objects from the Villa Ephrussi de Rothschild on display at FAB Paris

For the 2024 edition of FAB Paris, around fifty objects from her collections, currently on show in her villa in Saint-Jean-Cap-Ferrat, will be travelling to Paris for the duration of the show, to offer visitors a glimpse of this “Rothschild seaside taste”.

Villa Ephrussi de Rothschild<br />
© Anthony Lanneretonne<br />

© Anthony Lanneretonne

Villa Ephrussi de Rothschild<br />
© Anthony Lanneretonne<br />

© Anthony Lanneretonne

The selection is intended to be representative of the villa’s style. The eighteenth century triumphs.

For example, there is a selection of porcelain from Vincennes, Sèvres and Saxony, monkey teapots and antique urns, punch bowls and Buddha-candelabras, as well as pieces stamped by great carpenters and cabinet-makers such as Riesener, Joseph and Boulard.

Jean Henri Riesener<br />
Bonheur du Jour<br />
Paris, vers 1785<br />
© Sophie Lloyd

Jean Henri Riesener
Bonheur du Jour
Paris, circa 1785
© Sophie Lloyd

Manufacture de porcelaine de Meissen<br />
Singe Théière<br />
© Oriane Beaufils

Meissen Porcelain Manufactory
Monkey Teapot
© Oriane Beaufils

Baromètre<br />
Manufacture de porcelaine de Vincennes, Vase « Urne Antique », 1754-1755

André-Charles Boulle
Barometer
circa 1685-1695
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Whimsical and curious, the Baroness also collected more surprising objects, including Chinese doors, a pedestal table decorated with butterfly wings and embroidered paintings, as well as Sienna altarpieces from the Trecento period and Impressionist landscapes.

Bartolo di Fredi<br />
L’Assomption de la Vierge<br />
1382<br />
Droits réservés<br />

Bartolo di Fredi
The Assumption of the Virgin
1382
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Auguste Renoir, Paysage de Cagnes-sur-Mer<br />
1904<br />
© Studio Sebert Photographes

Auguste Renoir
Paysage de Cagnes-sur-Mer
1904
© Studio Sebert Photographes

A presentation staged by Jacques Garcia

This eclecticism will be brought to life by decorator Jacques Garcia, a fine connoisseur and subtle interpreter of the Rothschild taste.

This presentation, the first of works from the Baroness’s collection in Paris, is part of the major renovation and transformation projects for the villa initiated by the Académie des Beaux-Arts.

On this occasion, one of the masterpieces of the collection, the chest of drawers stamped by Joseph, creator of the famous Lalive de Jully desk, will be presented to visitors, enthusiasts, experts and specialists, with a view to the preliminary study for its restoration, for which the villa is now launching an appeal for sponsorship.

Joseph Baumhauer dit Joseph<br />
Commode à deux vantaux en vernis européen<br />
Paris, vers 1765<br />
©Sophie Lloyd

Joseph Baumhauer dit Joseph
A two-leaf chest of drawers in European varnish
Paris, circa 1765
DR